Lincolns Use of Presidential War Powers essays

Lincoln's Use of Presidential War Powers essays Recognizing Abraham Lincolns position at the onset of the Civil War, it is evident that many of the actions and decisions he carried outset groundbreaking precedents for future presidents. The prescribed precedents are on the forefront of todays political stage George W. Bushs role in initiating the war with Iraq bears great resemblance to Lincolns nineteenth-century strategies. Nevertheless, while the principle underlying both of their plans is similar, the reality of the situation is that Bush manipulated Lincolns precedents in such a fashion so as to justify a war that simply was not necessary. Thus, while Lincoln and Bush may have acted in a comparable fashion, Bushs actions and strategies ultimately prove to be the negative consequences of Lincolns actions and subsequent precedents. Indeed, Bushs political and policy strategies for the War on Iraq have exploited Lincolns well-intended precedents and have disrupted the checks and balances system that is critical to the success of the American government. Lincoln used his presidential powers extensively during the start of the Civil War; to the point that some people actually believed he was stretching them beyond the Constitutional limits. In the first months of the war, prior to the convention of Congress, Lincoln expanded the regular army, called for volunteers, and spent federal funds that had not yet been appropriated. Support for these actions was yielded by his own claim that once Congress met, they would surely approve his actions. Stretching his war powers as commander in chief, Lincoln ordered a naval blockade of Southern ports and substituted martial law for civil war in numerous states. This action was legally equivalent to a declaration of war, a power expressly reserved to Congress in the Constitution. However, it can be argued that because the war was defensive in nature, the President did not need the authoriz...

Much Ado About Nothing

Much Ado About Nothing Much Ado About Nothing by William Shakespeare is a delightful comedy which plays out a number of Shakespeares best loved themes: confusion between lovers, the battle of the sexes, and the restoration of love and marriage. It also features two of Shakespeares most formidable lovers: Benedick and Beatrice. These two characters spend the majority of the play bickering and thenas in all great romantic comediesfall in love in the final acts.Much Ado About Nothing begins in Messina, soon after the end of a war. A group of soldiers are returning, victorious. Amongst them are Don Pedro, Claudio (a handsome youth) and Benedick, who is known to be proficient both in the art of war and the art of speech. He is also a self-proclaimed woman-hater, who vows he will never settle down. Soon, Claudio falls in love with a noblemans daughter, Hero (a beautiful and quiescent young maiden), and they decide to marry. Heros elder sister, Beatrice, is unlike her sister in that she has a fast tongue. She and Benedick enjoy baiting each other as both are clever and witty.The lovers, along with the rest of Hero and Claudios wedding party, decide to bring Benedick and Beatrice together. They perceive, perhaps, that there is already a spark of love between them. By the time the wedding comes around, the two are very much in love. But love is never easy in Shakespeares plays, and on the eve of the wedding Don Pedros bastard brother, Don John, decides to break up the marriage before it begins by trying to convince Claudio that his betrothed has been unfaithful. Claudio goes on to the wedding and calls Hero a whore, disgracing her before the whole community. Beatrice and Heros father hide the poor girl, and let it be known that she has died from the shame that Claudio unfairly placed upon her. In the meantime, Don Johns henchmen are arrested by the local constable (whose malapropisms create a little comic relief) and the plot to besmirch Heros name is exposed.Claudio is wracked with grief. To make amends, he promises to marry Heros sister, Beatrice. However, when he reaches the altar and lifts his wifes veil, he finds that he is marrying the woman he thought to be dead. The wedding is made into a double celebration when Benedick and Beatrice also decide to tie the knot.The majority of the plot in Much Ado About Nothing revolves around Hero and Claudio, but Shakespeares dramatic sympathies remain very clear. Benedick and Beatrice are ever at the center of our attention. They get the most stage time, as well as the majority of the best lines. With their gentle bickering, they hope to expose the frailties not only of their opponent, but also of his or her entire gender. These interchanges are early examples of what would become the fast-paced exchanges in modern screwball comedy. With Much Ado About Nothing, Shakespeare also creates the first example of the romantic generic convention of the two romantic leads that love to hate each other. That they are tricked into loving each other is only possible because that love already resides in their hearts. They use their mutual animosity to cover their true feelings. Of course, Much Ado About Nothing is never simply just a romantic comedy. Rather, the play creates a lighter, more frivolous counterpart to some of his darker tragedies. For example, like Romeo and Juilet, we see a lover pretend to be dead, hoping for a Romantic reconciliation with the man to whom she is betrothed. Unlike that tragedy, however, the lover does not realize his mistake too late. The work is one of Shakespeares most serious comedies, and also one of his most human. The back-and-forth between Benedick and Beatrice, and the triumphant finale in which the divine grace of love is celebrated has had a feel-good effect on its audience down the centuries. Beautifully written, and beautiful in its conception, Much Ado About Nothing, is one of Shakespeares most delightful plays.